Sam wanamaker globe Following 2021’s Romeo & Juliet (★★★★‘bold, clever, energetic’, The Guardian) in the Globe Theatre, Director Ola Ince debuts in the Sam Wanamaker Playhouse with Shakespeare’s confronting look at the destructive impact of institutional racism, toxic masculinity, and a justice system locked in a vicious cycle of self-fulfilling Feb 4, 2025 · Our summer 2024 family hit returns as the Weird Sisters from Macbeth bring their supernaturally silly adventure back to the Sam Wanamaker Playhouse. . Jan 25, 2025 · There’s not much point in having three hours worth of Shakespearean text to craft and the gorgeous Sam Wanamaker Playhouse as a canvas if you merely intend to go through the motions, ticking off one of the canon’s less performed works. In 1971 Wanamaker set up the Shakespeare’s Globe Trust to actively pursue his long-term dream of building a reconstruction of the In 1970 Sam Wanamaker founded the Shakespeare Globe Trust. ‘Round about the cauldron go; In the magic creatures throw…’ They’re back… and Olivier nominees! Our ‘wildly entertaining’ ★★★★ (The Stage) family show Rough Magic, Olivier-nominated for Best Family Show 2025, returns to cast its spell in the Sam Wanamaker Playhouse at Shakespeare’s Globe this summer… Feb 13, 2025 · The costumes are ravishingly traditional compared to the usual standards of the Globe and the Wanamaker; the music (by Oliver Vibrans) unusually muted. For the first time ever in the Sam Wanamaker Playhouse, experience a ★★★★★ ‘entertaining and profound’ (The Telegraph) production of Anton Chekhov’s Three Sisters, a masterful study of family legacy, misdirected love and the human condition. ★★★★ ‘Bold and vivid’ (Evening Standard) Don't miss our ★★★★ 'mesmerising' (WhatsOnStage), 'stylish and inventive' (The Stage) production of Shakespeare’s late tale of love, loss and legacy, in the candlelit Sam Wanamaker Playhouse. Performed for the first time in the Sam Wanamaker Playhouse, this Globe Ensemble production, led by Associate Artistic Director, Sean Holmes, sheds candlelight on Shakespeare’s iconic tale of manipulation, disruption, and coercion. Knowing that there had to be something more, an idea took hold: he would construct an archetype of that theatre via the methods, means and materials of Shakespeare’s time. The question for us is does it work.