Robert elswit paul thomas anderson , while PTA recently decided to shoot his upcoming project himself . ’ With cinematographer Robert Elswit behind the camera and Dylan Tichenor laboring in the editing room, both of whom are Anderson’s long-time companions, Magnolia is also distinguished by the effective use of American rock singer Aimee Mann’s songs, such as ‘Wise Up,’ the piece that Anderson used as a glue tying the characters together in Aug 6, 2014 · With the exception of The Master, Robert Elswit has shot every Paul Thomas Anderson film (including the upcoming Inherent Vice). ( The Master was shot by Mihai Mălaimare Jr. Notably, Elswit shot the film in color, then converted the film into black and white in post production. Robert Christopher Elswit, ASC (born April 22, 1950) is an American cinematographer. Hard Eight (aka Sydney) was Anderson’s first feature, and he was determined to give his modestly-budgeted film an authentic look. Cast: Daniel Day-Lewis, Dylan Freasier, Paul Dano, Kevin J. io to edit the film, leveraging these versatile tools to weave 70 different flashback sequences into the story and showcase all the different eras that brought this cast of characters to their Oct 20, 2015 · However, Paul Thomas Anderson walks the line between the two with a subtly wild sensibility -- inspired by artists he respects, fortified by his vision. But now, according to Anderson, that's simply not the case. Oct 21, 2020 · Paul Thomas Anderson and Robert Elswit made a name for themselves as one of cinema’s strongest director-cinematographer duos with a run of acclaimed films that included “Hard Eight Oct 12, 2023 · Despite all these varied projects, Elswit is probably best known for his collaboration with Paul Thomas Anderson, since PTA’s very first feature, Hard Eight, and continuing to his present film Inherent Vice.